Paul Bellamy explains techniques used in turning jewellery

Small piece of (scrap) wood mounted ready to turn to a pendant.

A groove has been turned and filled with brass dust.

Preparation to turn components for necklace.

Turned pieces are cut into segments.

Completed necklace . . . . . . . .

. . . . . and pendants.

First place in Masters' competition went to James Sharpe with his goblet in Ash and Walnut.

Second to Dick Potter for his entry in Zebrano.

Third place to Peter Fantham with his study in captive rings using Cherry.

Also on the table was Tom Livesey's spiralled goblet in Walnut . . . . . . .

. . . . . and Geoff Nellis's magnifier using Ebony and Purpleheart.

First equal place in the Members' Open class went to John Waring's natural edged goblet in Beech . . .

. . . . and Derek Puplett's goblet in Yew.

Second equal was Philip Jones with his goblet . . . . . .

. . . and Tony Reindorp's variation from the norm.

In third place was Richard Hagues putting some ply wood to good use.

Also entered was Ernie Hanson's goblet in Mahogany . . . . .

. . . . . Carole Snell's love spoon in Lime . . . . . . . .

. . . . . . Mike Browning's earring stand in Rosewood . . . .

. . . . . . Graham Legg's goblet in Robinia . . . . .

. . . . . . James Snell's goblet in Jelutong . . . . .

. . . . . Eric Hudson's finial box . . . . .

. . . . . and last but not least Peter Blair's goblet.